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精選工裝
＞電影世界的黑白印象
電影世界的黑白印象
參考造價(jià)：暫未填寫(xiě)|
空間：娛樂(lè)空間|
面積：3800平米|
瀏覽數(shù)：3678
案例簡(jiǎn)介 Case description
電影世界的黑白印象Black and White Impressions of the Film World
項(xiàng)目名稱(chēng): 奧斯卡影城-鄭州升龍國(guó)際店
設(shè)計(jì)單位: MOC DESIGN OFFICE
主創(chuàng)設(shè)計(jì)師：梁寧森，吳岫微
設(shè)計(jì)周期：2019.10-2020.1
竣工：2020.10
項(xiàng)目地址：中國(guó)鄭州
面積：3800㎡
主材：黑色噴涂鋁板，黑白根大理石地磚，深灰色條紋地毯
業(yè)主：奧斯卡升龍國(guó)際影城
攝影：直譯建筑攝影
Project Name: Oscar Cinema – Shenglong International, Zhengzhou
Design Company: MOC DESIGN OFFICE
Leading Designers: Liang Ningsen, Wu Xiuwei
Design Phase: Oct. 2019 – Jan. 2020
Completion: Oct. 2020
Location: Zhengzhou, China
Area: 3,800㎡
Materials: Black painted aluminums, Nero Marquina marble tiles, dark grey striped carpets
Client: Oscar Shenglong International Cinema
Photography: Literal Translation Architectural Photography Studio
黑白陰陽(yáng)，相映而生，光影交匯，演繹極致印象。踏入編織的故事場(chǎng)景中，所有的漸進(jìn)鋪敘只為完整這一場(chǎng)早已擁有姓名的電影之旅。
Black and white, Yin and Yang. They were born for each other. The light and shadow cast the ultimate impression. Stepping into the woven scenes of the story, one will see all the progressive narratives unfolded, which completes the journey of film with the name written.
Black and white, Yin and Yang. They were born for each other. The light and shadow cast the ultimate impression. Stepping into the woven scenes of the story, one will see all the progressive narratives unfolded, which completes the journey of film with the name written.
讓空間基底定格視覺(jué)色彩的主基調(diào)，本案將黑白反差由淺入深運(yùn)用到極致，正應(yīng)和了蘇軾所言：“其實(shí)不是平淡，絢爛之極也?！?br />
This project fully employs the contrast of black and white and makes it the main tone for the space. It echoes the great poet Su Shi’s words “it is not in fact insipid, but the most splendid.”
傾斜的白色幾何體引導(dǎo)人們進(jìn)入影院大堂，材質(zhì)和色調(diào)的變化帶來(lái)情緒的轉(zhuǎn)變
The slanting white geometries lead people into the lobby of the cinema while the change of materials and tones brings about a shift in mood.
The slanting white geometries lead people into the lobby of the cinema while the change of materials and tones brings about a shift in mood.
傾斜交錯(cuò)的白色幾何體被置于于大堂空間中，或交疊、或穿插、有些甚至以扭曲的姿態(tài)呈現(xiàn)，仿佛電影故事中起伏婉轉(zhuǎn)的情節(jié)走向。
The white geometric forms are placed in the lobby space in an overlapping and interlocking pattern, some even twisting, as if the ebb and flow of the film story.
The white geometric forms are placed in the lobby space in an overlapping and interlocking pattern, some even twisting, as if the ebb and flow of the film story.
整體的黑色基底上結(jié)合了不同的材質(zhì)和肌理
Different materials and textures are combined on an overall black base.
Different materials and textures are combined on an overall black base.
黑白根大理石與黑色橫紋鋁板的獨(dú)特肌理在立體空間中蔓延生長(zhǎng)，給予觀影大廳行徑動(dòng)線(xiàn)豐富的變化，同時(shí)帶領(lǐng)人們深入這虛幻的時(shí)光中。
The distinctive textures of Nero Marquina marble and black cross-grained aluminum panels spread across the three-dimensional space, giving the cinema hall a rich variation of paths and leading people into the unreal time.
The distinctive textures of Nero Marquina marble and black cross-grained aluminum panels spread across the three-dimensional space, giving the cinema hall a rich variation of paths and leading people into the unreal time.
色彩與形態(tài)交融下的美學(xué)張力，劃破了沉靜的黑色時(shí)空，讓凝固的時(shí)光從轉(zhuǎn)折處開(kāi)始流動(dòng)。
在這里光線(xiàn)的營(yíng)造決定了陰影的呈現(xiàn)，在黑與白的色彩組合下它隱隱約約地浮現(xiàn)。
The aesthetic tension under the fusion of colors and forms cut s through the silent black space, allowing the frozen time to flow from the turning point. The creation of light determines the appearance of shadows, which emerges faintly under the combination of black and white.
在這里光線(xiàn)的營(yíng)造決定了陰影的呈現(xiàn)，在黑與白的色彩組合下它隱隱約約地浮現(xiàn)。
The aesthetic tension under the fusion of colors and forms cut s through the silent black space, allowing the frozen time to flow from the turning point. The creation of light determines the appearance of shadows, which emerges faintly under the combination of black and white.
利用清晰的對(duì)比強(qiáng)調(diào)區(qū)域場(chǎng)景的焦點(diǎn)，等候區(qū)裝飾的序列方格狀展示柜體，為空間整體增添了神秘、時(shí)尚與未來(lái)的氣質(zhì)。
Clear contrast is used to emphasize the focal point of the scenes in the area. The waiting area is decorated with a sequence of cube-shaped display cabinets, which adds mystery, fashion and futuristic qualities to the space as a whole.
Clear contrast is used to emphasize the focal point of the scenes in the area. The waiting area is decorated with a sequence of cube-shaped display cabinets, which adds mystery, fashion and futuristic qualities to the space as a whole.
走進(jìn)觀影主通道，好似流星般的光線(xiàn)安放在兩側(cè)墻壁，天花的黑色鏡面反射拓展了空間，在暗色的映襯下仿佛充盈未來(lái)感的時(shí)光隧道。地面上強(qiáng)烈的方向性紋理延伸至盡頭，為觀影者帶來(lái)視覺(jué)上的動(dòng)態(tài)體驗(yàn)，同時(shí)引導(dǎo)觀影者不斷前行。
Into the main hallway, lights installed on both sides of the walls are like meteors. The ceiling made from black mirrors expands the space with the reflection, which appears to be a futuristic time tunnel in the dark background. The strong directional lines on the floor extend to the end, providing the viewers with a visually dynamic experience while guiding them along the way.
Into the main hallway, lights installed on both sides of the walls are like meteors. The ceiling made from black mirrors expands the space with the reflection, which appears to be a futuristic time tunnel in the dark background. The strong directional lines on the floor extend to the end, providing the viewers with a visually dynamic experience while guiding them along the way.
汲取大廳主元素中的幾何體放置于觀影通道中，結(jié)合縱向空間尺度進(jìn)行演變。而觀影通道除去引導(dǎo)觀影者找到影廳入口和指示各類(lèi)功能空間方向的功能之外，還承接和過(guò)渡了空間風(fēng)格的變化。
The geometric elements of the lobby are also combined in the hallway, which evolve in conjunction with the vertical spatial scale. In addition to its function of guiding the viewers to the entrance of the theater and directing the various functional spaces, the hallway also provides the transition of spatial style.
The geometric elements of the lobby are also combined in the hallway, which evolve in conjunction with the vertical spatial scale. In addition to its function of guiding the viewers to the entrance of the theater and directing the various functional spaces, the hallway also provides the transition of spatial style.
大廳的幾何體元素結(jié)合觀影通道的空間尺度進(jìn)行形式演變
The geometric elements of the lobby evolve in relation to the spatial scale of the hallway.
The geometric elements of the lobby evolve in relation to the spatial scale of the hallway.
為了契合視覺(jué)與聽(tīng)覺(jué)相融的電影場(chǎng)景，讓觀影者擁有完全沉浸式的觀影效果，在影廳內(nèi)部打造完整貫穿空間三面的環(huán)抱式對(duì)稱(chēng)造型，并以燈光強(qiáng)化外框線(xiàn)條，最終形成現(xiàn)代科技與藝術(shù)結(jié)合的場(chǎng)景。
In order to create a cinema environment that blends the visual and aural senses, and to provide a fully immersive viewing effect, the interior of the theater hall has a complete ring in symmetrical shape running through three sides of the space, and lighting is used to strengthen the lines of the outer frame, resulting in a scene that combines modern technology and art.
In order to create a cinema environment that blends the visual and aural senses, and to provide a fully immersive viewing effect, the interior of the theater hall has a complete ring in symmetrical shape running through three sides of the space, and lighting is used to strengthen the lines of the outer frame, resulting in a scene that combines modern technology and art.
以不同的色彩主題彰顯觀影廳的特質(zhì)，一個(gè)又一個(gè)的故事在這里如期上演，存放那些在真實(shí)世界中無(wú)法安放的情緒，盡情地跟隨電影故事哭泣與歡笑。電影的終極魅力讓我們重拾生活的美好，治愈破碎的心靈。
A variety of color themes highlights the qualities of the cinema hall, where one story after another plays out as it’s scheduled. It’s a place for the emotions that can’t be released in the real world. Views cry and laugh as the film story unfolds. The ultimate charm of cinema is to bring back the beauty of life and heal the broken heart.
A variety of color themes highlights the qualities of the cinema hall, where one story after another plays out as it’s scheduled. It’s a place for the emotions that can’t be released in the real world. Views cry and laugh as the film story unfolds. The ultimate charm of cinema is to bring back the beauty of life and heal the broken heart.
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