店鋪選址位于紹興市，紹興這座古城，有魯迅故里的青石板路，也有仰面遮天的法國(guó)梧桐。
The store is located in Shaoxing, an ancient city with a flagstone road in Lu Xun's hometown as well as a French plane tree covering the sky.

設(shè)計(jì)理念：
（傳統(tǒng)x都市結(jié)合面包店）
在一些地方城市，一家店鋪會(huì)通過(guò)它本身的價(jià)值來(lái)推動(dòng)這座城市的發(fā)展。紹興有著古老的歷史和文化，我們希望cycle也通過(guò)它自身的價(jià)值來(lái)給這座城市帶來(lái)一些新的感悟。本地的居民，游玩的旅客，以及cycle的粉絲。讓訪客者來(lái)到cycle能感受到紹興古城的文化與日系空間的融合。而不僅是一家新裝修的面包店，我們更希望通過(guò)店鋪去表達(dá)這座城市的魅力，去告訴大家cycle和這座城市的故事。
Design concept:
(Traditional X Urban Combined bakery)
In some local cities, a store will drive the city through its own value. Shaoxing has an ancient history and culture, and we hope “cycle” can bring some new inspirations to the city through its own value. Local residents, tour riders, and cycle fans. Visitors can feel the integration of the culture of ancient Shaoxing City and the Japanese style space when they come to “Cycle”. Rather than a newly decorated bakery, we hope to express the charm of the city through the shop and tell everyone the story of “Cycle” and the city.


店鋪的整體風(fēng)格上運(yùn)用了象征著本地的素材，外墻的仿古磚，石沙般的肌理漆，自然的老榆木，以及地面散鋪的碎石。這些素材的交融可以讓空間自帶年份感，而不會(huì)隨著年代的變換而過(guò)時(shí)。同時(shí)在造型上通過(guò)半圓的夸張門頭，以及帶有挑空的收銀吊頂，使店面在風(fēng)格上不失創(chuàng)新。室內(nèi)用了簡(jiǎn)潔的墻壁和大量的風(fēng)化木老榆木來(lái)體現(xiàn)日系面包店的風(fēng)格，這不僅保留了紹興本地的傳統(tǒng)，也在傳統(tǒng)中增加了cycle本身的特色。 The overall style of the shop uses materials that are symbolic of the local area, such as antique bricks on the exterior wall, texture paint like stone sand, natural old elm wood, and scattered gravel on the ground. The blending of these materials can make the space a sense of age, and will not be outdated with the change of years. At the same time through the semicircle exaggerated door head as well as with the empty cashier suspended ceiling, the store style does not lose innovation. Simple walls and a lot of weathered old elm wood are used in the interior to reflect the style of Japanese bakery, which not only retains the local traditions of Shaoxing city, but also adds the characteristics of “Cycle” itself in the tradition.

店面形式：

室內(nèi)的其中一面墻壁用來(lái)展示周邊產(chǎn)品，另一面墻壁用整面落地窗來(lái)擺放面包，中間設(shè)計(jì)了2個(gè)中島臺(tái)，依舊是簡(jiǎn)約的日系風(fēng)格，用最簡(jiǎn)單的素材和形式來(lái)凸顯面包的價(jià)值，也表達(dá)著cycle用最簡(jiǎn)單的食材和形式來(lái)凸顯手工面包的價(jià)值。讓到訪的客人在門口就可以感受到滿臺(tái)面的面包。收銀的上方做了一個(gè)玻璃格子挑空，使空間瞬間萌生了不一樣的風(fēng)景。
Form of the shop: With one side wall is used to display peripheral products, indoor wall with the whole French window puts bread on the other side, middle area displays for two island platform, still a simple Japanese style, using the simplest form of material to highlight the value of the bread, also expressing the “cycle” with the simplest form of ingredients and to highlight the value of the hand made bread where the visitors feel it all over at the entrance. The top of the cashier made a empty lattice glass, so that the space instantly sprout different scenery.

這次的cycle不僅添加了周邊商品，還增加了飲品菜單，為了讓客人能更好的享用面包和飲品，室內(nèi)室外分別放置了不同形式的桌椅，這讓到訪的客人，不單單可以享用面包，還可以通過(guò)視覺，觸覺，嗅覺來(lái)感受整個(gè)空間的氛圍。做到人與人，食品與商品，地域與文化的互相關(guān)聯(lián)。
In this “cycle”, peripheral goods are added and drink menu as well. In order to enable guests to enjoy bread and drinks better, different forms of tables and chairs are placed indoors and outdoors respectively. This allows visiting guests not only to enjoy bread, but also to experience the atmosphere of the whole space through sight, touch and smell. The relationship between people, food and goods, region and culture should be realized.